{"id":896,"date":"2024-11-08T00:07:25","date_gmt":"2024-11-07T22:07:25","guid":{"rendered":"https:\/\/www.tigermoonrecords.de\/en\/?p=896"},"modified":"2024-12-11T15:08:31","modified_gmt":"2024-12-11T13:08:31","slug":"press-reviews-on-the-cd-a-night-and-43-seconds","status":"publish","type":"post","link":"https:\/\/www.tigermoonrecords.de\/en\/blog\/2024\/11\/08\/press-reviews-on-the-cd-a-night-and-43-seconds\/","title":{"rendered":"Press reviews on the CD\u00a0 A Night and 43 Seconds"},"content":{"rendered":"

Freistil #114 \u2013 July 2024 \u2013 Christoph Haunschmid
\n<\/strong>\u201cThis is brilliant playing at eye level, intimate exchange of ideas, concentrated sounds that never neglect the sensual listening experience.\u201d<\/p>\n

JazzPodium \u2013 August 2024 \u2013 Michael Bossong<\/strong>
\n<\/b>\u201cThe great tenor tradition of modern jazz is in good hands with Beierbach: his tone is warm, clear and mature. Great role models shine through and yet he remains confidently himself. This playing concept, in which Roder and Marien are equal partners, needs no airs and graces, no fashionable slips, no compromises \u2013 a exemplary modern jazz trialogue, rough-edged and tender, which is simply fun to listen to.\u201d<\/p>\n

Frankfurter Allgemeine Zeitung \u2013 July 08, 2024 \u2013 Rolf Thomas<\/strong>
\n<\/b><\/span>\u201cThe three Berlin musicians let themselves drift wherever the wind blows them. Roder [\u2026] has a beautifully singing tone and always shows the trio surprising paths. And Marien is a subtle sound explorer who carries the band, especially with his work on the cymbals. All the pieces were written by Beierbach, so he is also a talented composer.\u201d<\/p>\n

Salt Peanuts \u2013 August 2024 \u2013 Jan Granlie
\n<\/strong>\u201eThis is an excellent trio album with three musicians who know each other well. And if everything presented on the release was carefully planned in advance, it sounds spontaneous, and throughout, the three shine with excellent playing. This is a band I want to hear in concert, without having to go to Berlin!\u201c<\/p>\n

Jazzthing \u2013 June 2024 \u2013 Martin Laurentius<\/strong>
\n<\/b>\u201cFor them, composing is coagulated improvisation and improvising in turn is a liquefied composition. [\u2026] In any case, the result is intellectually challenging and emotionally complex at the same time.\u201d<\/p>\n

Jazzthetik \u2013 July 2024 \u2013 Jan Kobrzinowski
\n<\/b><\/strong>\u201cEverything sounds as if you were sitting right in the middle of it. Alexander Beierbach\u2019s tenor can purr softly, play around things, but also make the most direct statements on a minimal basis like Sonny Rollins did. Christian Marien can drum musically and narrate rhythmically on the cymbals like hardly anyone else. Jan Roder is the link between the two and yet he is completely himself when he savors the most beautiful moments of double bass playing and when he is satisfied with himself in the solo.\u201d<\/p>\n

Fono Forum \u2013 August 2024 \u2013 Sven Thielmann
\n<\/strong>\u201cAs their familiar flow of playing breathes organically, there are always opportunities for fragrant solos and delicate dialogs, which attractively expand the intense, yet never hectic exchange. And because BROM also plays beautifully with dynamic nuances, you float through \u201cA Night And 43 Seconds\u201d both relaxed and delighted.\u201d<\/p>\n

Jazzthing \u2013 June 2024 \u2013 Wolf Kampmann<\/strong>
\n<\/b>\u201cOn \u201cA Night And 43 Seconds\u201d, these three veterans of Berlin jazz reveal their romantic streak without ever slipping into sentimentality. They play around elegiac themes with a high degree of creative freedom, but never lose sight of the melodic baselines. Beierbach\u2019s husky, distanced timbre on the tenor saxophone, Marien\u2019s pointed understatement and Roder\u2019s purposeful lines give the impression that an abstract bridge is being built here from cool to free jazz.\u201d<\/p>\n

BAD ALCHEMY #125 \u2013 September 2024 \u2013 Rigo Dittmann<\/strong>
\n<\/b>\u201cRoder and Marien dissect time and space [\u2026] Beierbach transforms the earthy tenor sound into liquid fire, into cool airiness, into something emotionally porous. [\u2026] Great.\u201d<\/p>\n

Nowhere Street \u2013 November 2024 \u2013 Peter Margasak<\/strong>
\n“The music on the new album is both measured\u2014with the steady transmission of collective ease as the trio navigates the saxophonist\u2019s sturdy, tuneful themes\u2014and charged with an exploratory energy that allows the trio to push and pull against the forms, ebbing and flowing in intensity. [\u2026] the interplay between these musicians is strong enough to prove consistently alluring and captivating.”<\/p>\n

JazzPort.cz \u2013 August 2024 \u2013 Hodza Hocek<\/strong>
\n<\/b>\u201c\u2026 In retrospect, I realize that their unique way of combining composed and improvised music was already prevalent here [on the CDs \u201cthere.\u201d and \u201cCardboard Sea\u201d]; on the new album, however, the trio achieves an exciting perfection!\u201c<\/p>\n

One Man\u00b4s Jazz \u2013 July 2024 \u2013 Maurice Hogue
\n<\/strong>\u201eThe three musicians in BROM are all among the finest of germany\u00b4s exceptional pool of improvisors. [\u2026] There are a myriad of saxophone-bass-drums trio out there these days and BROM is among the best.\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"

Freistil #114 \u2013 July 2024 \u2013 Christoph Haunschmid \u201cThis is brilliant playing at eye level, intimate exchange of ideas, concentrated sounds that never neglect the sensual listening experience.\u201d JazzPodium \u2013 August 2024 \u2013 Michael Bossong \u201cThe great tenor tradition of modern jazz is in good hands with Beierbach: his tone is warm, clear and mature….<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90,19],"tags":[],"class_list":["post-896","post","type-post","status-publish","format-standard","hentry","category-a-night-and-43-seconds","category-press"],"_links":{"self":[{"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/posts\/896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/comments?post=896"}],"version-history":[{"count":2,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/posts\/896\/revisions"}],"predecessor-version":[{"id":924,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/posts\/896\/revisions\/924"}],"wp:attachment":[{"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/media?parent=896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/categories?post=896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tigermoonrecords.de\/en\/wp-json\/wp\/v2\/tags?post=896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}